Hunter Hayes Pursues Pop Trends With “21” and “Young And In Love”
Hunter Hayes pursues pop trends in release and co-writing styles with “21” and “Young And In Love.”
For Kacey Musgraves, Going Against Country Norms Is Her Best Bet for Stardom
Kacey Musgraves continues to go against the grain with her approach to country music.
CMA Fest Line-Up Shows #TomatoGate Goes Deeper Than Radio
We took a deeper look at the male/female/group performer split among the stage lineups at CMA Fest.
Country and Pop Meet in the Middle With Jason Derulo’s “Broke” and Luke Bryan’s “Kick The Dust Up”
seem to have finally met in the middle with the release of Luke Bryan’s new single “Kick The Dust Up” and Jason Derulo’s song “Broke,” the latter of which features Stevie Wonder and Keith Urban instrumentally.
From “Beachin'” and “What We Ain’t Got” to “Real Life:” What Jake Owen’s Identity Crisis Says About Artist Branding
From being the life of the beach party to sporting a more serious side, Jake Owen’s choices with “Real Life” tell a complex story of artist branding.
The Disconnect Between Country Radio and Its Listeners
Sales and streams don’t seem to be matching up, as numerous examples of radio hits without substantive sales and high-selling songs that don’t chart well seem to demonstrate.
The Nashville Revolution: How Indie Artists Are Taking Over Country Music
Aaron Watson, Brandy Clark, and Sturgill Simpson are among the artists paving careers outside of the traditional country music mould.
“Sun Daze”: How Florida Georgia Line Take the Holy Day in Vain and Why Nobody Seems to Mind
As radio country shows more pop influence and listener demographics shift, songs like Florida Georgia Line’s “Sun Daze” present a racier and more complicated offering to the genre’s historically Christian fan base.
Enough Is Enough: Rap Remixes of Country Hits
At some point, music stops being art and when we have T-Pain bellowing his autotuned vocals over Jake Owen’s breezy chorus–that’s where we draw the line.
Women in Country: It’s not Them, It’s the Format
From Nashville to the New York Times, it’s been no secret that women are playing second fiddle to their testosterone-toned counterparts. But is that what the market wants?